It’s stating the obvious: haunted house movies—even not so good ones—are scary, because, on a metaphorical level, what they’re really about is what happens when someplace we deem safe isn’t really safe at all. The house is the stand-in for that secure thing—an actual home, a family structure, a romantic relationship, a job, our physical health—and the “haunting” is the stand-in for anything that threatens it: fire, foreclosure, death, infidelity, unfair treatment, terminal illness. In the end, why haunted house movies are effective—and popular—is because they prey on our fear of destabilization.
This is probably why so many of them have the same tropes—but if you’re a junkie like me, who’ll give any haunted house movie a fair shot until it proves otherwise—you’re used to that; in fact, you expect it.
That said, here’s a couple of recent ones on Netflix Read the rest of this entry
Pomegranates, narcissism, Greek mythology and what-would-you-do-if-your-dead-girlfriend-literally-showed-up-in-your-bed-every-time-you-had-sex-scenarios (boy did the guys have fun with that one) ruled on last week’s Nina Forever episode of Dark Discussions, a (mostly horror) genre podcast (What’s also fun to mention is that Read the rest of this entry