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34 ORCHARD ISSUE 5 has arrived!
It’s time … twenty-five artists focus on the things we refuse to see. Lovecraftian crazy in the Old West, Kerouac-style bummin’ with a morbid twist, Poe-esque madness on the open sea, Nin-inspired snails and more await. There are seven heartbreaking, chilling poems, a nightmare-inducing tale from Poland, and an exclusive excerpt from a forthcoming speculative memoir. A few familiar favorites, like Ali Seay, Die Booth, and Patricia Bettis, and some fresh new voices. You’ll want to get your eyes on this issue.
The downloadable PDF is designed so that it can be printed on double-sided paper for easy reading like a print magazine. As always, the issue is free, but there is a donation link should you choose to contribute.
If you like what you’ve read, spread the word! We’re also starting up some resource content for both writers and readers on our blog, so consider signing up to get those posts right in your email.
Announcing the TOC for 34 ORCHARD’s Spring 2022 Issue 5!
In wall-bound creatures, leucistic birds, and murderous gardens and forests; in natural disasters and terrifying hauntings; in everywhere from modern-day skyscrapers to the Old West, the upcoming issue of 34 Orchard’s twenty-five artists focus on the things we refuse to see, and what that might mean.
I’m excited to announce 34 Orchard‘s Table of Contents for the Spring 2022, which will be released on April 25—and thanks to several generous donations, this issue is even larger than our last one! We’ve even arranged for an exclusive Read the rest of this entry
The Landmark Trust Properties: For writers, the perfect quiet places
The Kipling Carriage House. It was originally (obviously), where the carriages were kept, and we think that the kitchen was probably an add-on, although it was well integrated. According to the Landmark Properties, it was converted from a Carriage House to living quarters at some point. It is nicely modernized now, and the flow of the place feels organic.
Quiet time. It’s probably what’s most sought after by writers in terms of creation, next to, of course, inspiration. Sometimes, being at home in the middle of life—even if you’ve got an office or favorite spot to which you can retreat—isn’t going to give you either thing. Read the rest of this entry
