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Enjoy 34 ORCHARD Issue 4’s cover? Take a gander at the artist’s other work!
If you enjoyed Issue 4 (Autumn 2021)’s cover art—Walter H. Von Egidy’s The Ghosts of the Fair—then you’ll enjoy this post, where you’ll get to see some of his other work.
His 34 Orchard bio:
Walter H. Von Egidy (Cover Art/The Ghost of the Fair) is an American artist, painter and film maker known for his Super 8 photoplays and enamel/oil paintings.
He has had his work exhibited at Gallery 13, The Burnham Library, Housatonic Art League and the White Silo. He has seven finished portrait commissions and private and public collections including a portrait of composer Franz Waxman at Byrd Library, Syracuse University. His work has won first place at various film festivals including the United States Super 8 Film Festival at Rutgers University. He is the owner of New Milford Sign Shop and Von’s Studio. Most recently, his painting “Saturday Night in the Caverns” was chosen as the cover for writer Bob Deakin’s collection, Unruly Mix (Tales of Music, Artists, Posers and Misfits. You can see more of Walter’s work and contact him at www.walterhvonegidy.com.
Every March, Von Egidy holds an exhibit of his works—many of them new—at the Burnham Library in Bridgewater, Connecticut. It’s always a stellar event, with many people we know from town as well as a chance to enjoy Walter’s work up close. One thing about his art—it’s Dali-esque, it’s colorful, and there’s always a good bet you’ll find a piece that speaks to you.
34 ORCHARD ISSUE 5 has arrived!
It’s time … twenty-five artists focus on the things we refuse to see. Lovecraftian crazy in the Old West, Kerouac-style bummin’ with a morbid twist, Poe-esque madness on the open sea, Nin-inspired snails and more await. There are seven heartbreaking, chilling poems, a nightmare-inducing tale from Poland, and an exclusive excerpt from a forthcoming speculative memoir. A few familiar favorites, like Ali Seay, Die Booth, and Patricia Bettis, and some fresh new voices. You’ll want to get your eyes on this issue.
The downloadable PDF is designed so that it can be printed on double-sided paper for easy reading like a print magazine. As always, the issue is free, but there is a donation link should you choose to contribute.
If you like what you’ve read, spread the word! We’re also starting up some resource content for both writers and readers on our blog, so consider signing up to get those posts right in your email.
Announcing the TOC for 34 ORCHARD’s Spring 2022 Issue 5!
In wall-bound creatures, leucistic birds, and murderous gardens and forests; in natural disasters and terrifying hauntings; in everywhere from modern-day skyscrapers to the Old West, the upcoming issue of 34 Orchard’s twenty-five artists focus on the things we refuse to see, and what that might mean.
I’m excited to announce 34 Orchard‘s Table of Contents for the Spring 2022, which will be released on April 25—and thanks to several generous donations, this issue is even larger than our last one! We’ve even arranged for an exclusive Read the rest of this entry
This writing chick’s got fingers crossed for an even more fabulous year …
Another year has passed … for me, it’s “Already?” Well, they say time flies when you’re having fun, and quite honestly, my 2021 was pretty awesome. I went to or held a few really fun virtual parties (including my 50th birthday!), and got to visit some favorite and new places: twice to Mystic, a few times to Portsmouth, Rhode Island, to a retreat on Cape Cod, and to Salem for the first time. I attended two virtual Cons–StokerCon and the HP Lovecraft Film Festival–and, with my co-chair David Griffith, got the Horror Writers Association’s Connecticut Chapter off the ground. Horrorfest with my cousin returned. I read some amazing books, both issues of 34 Orchard were successful, and I was honored to participate in two online readings as well as be a guest at a few online high school and college classes. And me and Nathan got to spend many an evening watching movies in the comfort of our living room–something we have always enjoyed, but never seemed to have much time to do pre-pandemic.
But it was the Read the rest of this entry
