I’m pleased to announce that the anthology I’ve spent a year curating, Ink Stains: A Dark Fiction Anthology Volume 7—Decay is now available! Containing fifteen pieces by young, fresh, and seasoned voices alike, the stories in this volume focus on the various ways decay permeates our lives and very beings.
I’ve always wanted to put together an anthology, so it was thrilling when Dark Alley Press gave me the opportunity. It’s been an incredible journey—I’ve worked with some very talented writers, and was able to put awesome new discoveries as well as stories that haunted me for years either into print or back into print. One of the most exciting things about this anthology is that it contains writer Daniel Pearlman’s final first draft, which his widow, Sandy, graciously agreed to let us publish.
Ink Stains is available wherever you purchase books. Here’s the Table of Contents and a specially prepared preview you can print or download (at the bottom of this post). Get your full copies here:
Amazon Print: http://bit.ly/inkstains7
Amazon Kindle: http://bit.ly/inkstains7K
TABLE OF CONTENTS
As We Rot – Taro Turner
Christmas in Connecticut – Robert Mayette
The Depths – Elizabeth Allen
Heroes – Jackie Logsted
The Mating Habits of the Late-Adopting Smoker – Dorianne Emmerton
Stikini – Travis D. Roberson
The Fate of the Worms – Page Sullivan
Ignorance Is – Rhonda Zimlich
Black-Hooded Caller – Pablo Patiño
The Cold Gets In – Mary Thorson
Do the Faceless Remember? – Megan Neumann
Suicide in Reverse (After Matt Rasmussen) – Bri Faythe
The Leaf People – Heather Sullivan
Letting in the Cat – Kaitlyn Downing
Overdrawn at the Time Bank – Daniel Pearlman
Photo: The Singer’s Last Stand – Christopher Petersen
Get a PDF sample here: Ink Stains Sample
I spent the first six months of this year as a guest editor for an upcoming issue of Dark Alley Press’ Ink Stains anthology series, and I’m pleased to announce that, except for a couple of rounds of proofing and the fact that the cover isn’t complete, it’s in the can!
This was my first stint as guest editor, and it was nothing short of a magical experience. There was something special about not just cherry-picking pieces for a collection from a slush pile, but curating a collection; tapping talent for some unpublished stories that had haunted me for—in some cases—a quarter of a century, or always anticipating that moment when that perfect story I have to have! would appear in the submissions manager.
In addition, every writer I worked with shared the vision; it was an enlightening journey in every sense of the phrase.
The theme of the issue was my choice—decay. It’s a pervasive Read the rest of this entry